AR The Art of Subversion:
Sunday, February 23, Summary: Unheimliche, translated as "uncanny" is not exactly the opposite of homely but rather a word that describes a sense of estrangement within the home, the presence of something threatening, tempting and unknown that lies within the bounds of the intimate.
Freud was not the first to tackle the notion of the uncanny, and in fact his article is a response to Earnest Jentsch account on the subject. Both Jentsch and Freud relate to E.
At the beginning of "The Uncanny" Freud holds that the uncanny is that type of dread which returns to which is long familiar. The uncanny, in that sense, is something new that exists in something already known. But the uncanny for Freud in not simply something which is unknown that enters our consciousness.
After a long lingual discussion, Freud argues that the notion of Heimlich, "homely", relates to something which is known and comfortable on the one hand and hidden and concealed on the other. The home, for Freud, is a type of secret place, and the unhomely, the uncanny, is something which should have been kept a secret but is revealed.
To give a concrete example: For Freud, if psychoanalysis is correct in holding that an emotional effect of any kind can turn into anxiety by means of repression it follows that there must be types of anxiety that are the result of something repressed that has resurfaced.
Such a feeling of anxiety is the uncanny, which is something rediscovered only after repression has rendered it strange and unfamiliar — the uncanny, in other words, is something that should have been kept concealed but is discovered.
Freud argues that we experience a sense of uncanny when a certain trigger brings back repressed childhood conflicts or primitive beliefs that we have overcome but suddenly, seemingly, receive renewed affirmation.Lecture Notes: Freud, "The Uncanny" () I.
General Structure of the Essay "Uncanny" divided into three sections: -- In this essay Freud plays the part of a literary critic who tries to explain the effect of a certain kind of literature; he is concerned with literary reception.
In his essay about the “Uncanny”, Freud first explores the etymological foundation of the originally German term for “uncanny“, the unheimlich. The meaning of unheimlich is apparently the opposite of heimlich, meaning familiar, or, directly translated, homely 1.
The “Uncanny”1 () SIGMUND FREUD I It is only rarely that a psychoanalyst feels impelled to in-vestigate the subject of aesthetics even when aesthetics is understood to mean not merely the theory of beauty, but the theory . The “Uncanny”1 () SIGMUND FREUD I It is only rarely that a psychoanalyst feels impelled to in-vestigate the subject of aesthetics even when aesthetics is understood to mean not merely the theory of beauty, but the theory .
Mar 17, · A Summary on Sigmund Freud's essay "The Uncanny" () (2) II In the second chapter of the essay, he moves on to the investigation of 'the uncanny' in . Sigmund freud in his essay the uncanny.
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